Come On In! by Charles Bukowski

By Charles Bukowski

A series of poems you'll are looking to learn from commencing to finish, Come On In! is Charles Bukowski at his unhappy, hilarious, renegade best.

Bukowski's unmistakable air of secrecy - an ex-down-and-outer who wrote of booze and loneliness in maverick, convinced unfastened verse - made him one of many world's preferred poets lengthy ahead of he died in 1994. greater than a decade later, loss of life has now not slowed his construction.

This assortment is chosen from an archive of verse that the writer left to be released after his loss of life. It comprises poems of affection and intercourse, suggestion to so-called losers (as he as soon as was once) to have faith in themselves (as he did), playing laments and humbling poems accepting his personal drawing close final complete cease.

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Sample text

He saw Delph, and so much were his thoughts and his eyes for her, that he scarcely noticed she stood near Dorie Dodson Fairchild, the woman he said he had come to see. He Page 24 saw Logan standing by a window, and though his body looked long and lax and lazy there was a taut look in his eyes. Marsh met his glance, and nodded, and wished again he had struck the man. There was contempt rather than hatred in his cool unflickering eyes. Delph stood on the outer edge of a little group of people gathered about Brother Gholston, and the tall, blue-eyed, wide-shouldered hill man whom he knew was her Uncle John.

Young Willie cupped a hand to one ear, and the hound dog lifted his head, looked up the road, then got up and trotted toward the sound. "Must be that well shooter an' his cart, frum th' way Colonel Lee's actin'," Young Willie decided. Mrs. Crouch looked both frightened and curious. " Young Willie quieted her fears. He believed the cart to be empty and reckoned the nitroglycerin man was just driving by, maybe going to the Memorial Service at Big Cane Brake three miles on the other side of the creek.

Her beauty lived in her strong straight body, her eyes, and the bones of her face, the proud free tilt of her head, and some air of expectancy or of waiting that gave her a look of eager aliveness even while she sang. He liked her dark brown hair, the heavy braids of it wound about her head, with loose half-curling tendrils of the fine dark stuff slipping about her ears and forehead. And when she moved her head, lights and shadows glinted on the braids, and other lights and shadows flickered through her eyes.

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