A título de inventario by Mario Benedetti

By Mario Benedetti

Edición en un solo volumen que reúne todos los poemas de Mario Benedetti publicados entre 1950 y 2001, testimonios de l. a. propia existencia del autor, engendrados con los angeles sencillez y claridad que tanto le caracterizan.

Amar, luchar, trabajar, morir, todo es motivo de poesía para Mario Benedetti. Cada pequeña situación del vivir cotidiano merece una canción, una celebración a l. a. constante sorpresa de existir. Para él, l. a. poesía no tiene sentido si no se comparte, si no se reproduce, si no fecunda.

Como es ordinary en las recopilaciones de l. a. poesía de Benedetti, cada volumen se abre con l. a. producción más reciente y concluye con los angeles más antigua, quizá con los angeles secreta esperanza de que el lector, al tener acceso a su obra por l. a. puerta más nueva y más cercana, se vea luego tentado a ir abriendo otras puertas, «a beneficio de inventario».

Inventario 1 integra todos los poemas publicados en libro entre 1950 y 1985:Sólo mientras tanto (1950), Poemas de los angeles oficina (1956), Poemas del hoyporhoy (1961), Noción de patria (1963), Próximo prójimo (1965), Contra los puentes levadizos (1966), A ras de sueño (1967), Quemar las naves (1969), Letras de emergencia (1973), Poemas de otros (1974), La casa y el ladrillo (1977), Cotidianas (1979), Viento del exilio (1981) y Geografías (1984).

Inventario 2 reúne todos los poemas publicados en libro entre 1986 y 1991: Preguntas al azar (1986), Yesterday y mañana (1988), Despistes y franquezas (1990) y Las soledades de Babel (1991).

Inventario 3 contiene todos los poemas publicados en libro entre 1995 y 2001: El olvido está lleno de memoria (1995), La vida ese paréntesis (1998), Rincón de Haikus (1999) y El mundo que respiro (2001).

Miguel García-Posada dijosobre Benedetti...
«Tenía Benedetti el instinto de l. a. palabra creadora, l. a. capacidad de pellizcar el alma que solo poseen los poetas mayores.»

«Benedetti period, aunque algunos se escandalicen, un machadiano del verso, que sabía que l. a. poesía se produce en el tiempo o está abocada a l. a. nada.»

«Benedetti, hay que afirmarlo de entrada, y sus versos tenían, tienen, los angeles garra de los genuinos poetas populares.»

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In this degree are all those ruined men of letters of any faculty, who being consulted on the easy things of their art do say all that may be understood, but once come to the very delicate do say but foolish thin s. Other ingenious ones do rise up a degree more, for tfley be soft, and easy 'tis to impress on them all the rules & considerations of the art, clear, obscure, easy and difficult; but the doctrine, the argument, the reply, the doubt and distinction, all must be handed to them all done and built up.

And this being its use, tis clearly understood that it doth depend on the humidity, for this doth make the brain soft and the figure be by compression impressed. For proof of this ’tis evident the argument of Childhood, at which age doth man learn more by memory then in all others, and the brain he hath very humid. ” Whereto doth he respond that the Memory of old men is filled with so many figures of things they have seen and heard in the long discourse of their life, and thus, wishing to introduce more, it cannot be received, for there be no empty room wherein may it be contained; yet that of children, almost from birth, tis very vacant, and thus do they receive quickly all that they be told or taught.

Galdston, Historic Derivations of Modern Pychiatry, Montreal, McGraw Hill Book Company, 1967. ), “Una introducci6n a la historia de la psiquiatria en Espafia”, Med. Clin. (1961), p. 369-379. SAURI (J. ), Historia de h ideapsiquidtrica, Buenos Aires, MCxico, C. LohlC, 1969. ), Cdmo nacid, cdmo era, cbmo f i n cionaba el “Hospitals dells fills de Sancta Maria dels Ignoscents”, Valencia, Real Academia de Medicina, 1959. ULLESPERG (J. i ray 1954. WATT (W. ), History of Islamic Spain, Edinburgh, Edinburgh Univ.

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